top of page

Chapter 15: Fame  

Cherry Vanilla singer, Cherry Vanilla artist, Cherry Vanilla poet, punk singer, glam punk icon, avant-garde vocalist, performance poet, cult music figure, downtown NYC legend, David Bowie collaborator, Ziggy Stardust era, MainMan Records, glam rock muse, Bowie inner circle, 1970s glam scene, androgynous glam, theatrical rock persona, cosmic rock aesthetics, early punk scene, proto-punk attitude, CBGB era, downtown underground, raw stage presence, art-punk aesthetics, rebellious femininity, The Police connection, new wave origins, post-punk influence, spoken-word performance, experimental rock, vintage black-and-white portrait, 1970s New York nightlife, glam makeup, bold eyeliner, metallic fabrics, leather and vinyl, feather boa, platform boots, stage lights and smoke, dramatic pose, expressive hands, defiant, theatrical, sensual intellect, queer-coded glam, fearless femininity, outsider brilliance, underground royalty, downtown Manhattan 1970s, Max’s Kansas City, Warhol-adjacent scene,

Whatever had eroded their trust in Defries, the Bowies were clearly no longer happy with him and the whole Mainman operation. Defries temporarily quelled their anger by ensconcing them in a two-bedroom suite at New York’s swank Sherry-Netherlands Hotel, where they managed to run up around twenty-thousand dollars’ worth of room service charges in a month. The Bowie-Defries affiliation continued out of necessity for a while, but it was clear to everyone around them that their whole Elvis and Colonel Tom Parker dynamic was disintegrating. As was the Bowies’ marriage, it seemed.

David liked my apartment on 20th Street, and he also liked Norman Fisher’s coke, something for which he’d recently acquired an insatiable appetite and for which I had, of course, hooked him up. And since my days were winding down at Mainman, I guess David felt comfortable getting high with me and opening up about anything and everything that was on his mind. He spent many an evening, often an all-nighter, sitting in one of my canary-yellow enameled wicker chairs, doing lines, drinking milk (he never ate at all during this period), and telling me one crazy story after another -- Defries and Adolf Hitler were buddies . . . Lou Reed was the devil . . .he himself was from another planet and was being held prisoner on earth -- going on and on about power, symbols, communication, music, the occult, Aleister Crowley, and Merlin the Magician. I never did any of David’s coke (and, what’s more, he never offered). I just sat there, smoked my pot, sipped my Café Bustelo, and got totally into his rap. This was probably the period when I was most in love with him.

​

Sometimes David would busy himself with my record collection -- Duke Ellington’s Live at Newport and the Ohio Players’ Skin Tight among his favorite LPs. And occasionally he and I would have sex in my mirrored, mosquito-netted, dycro-lit, pink-satin bedroom, taking everything a bit further than we had that first time in Boston, and utilizing the many new sex toys I’d since acquired. One time, after I’d arranged for him to shop privately at the new Yves Saint Laurent boutique on Madison Avenue and get the most fabulous black wool overcoat, he came up the five flights of stairs to my apartment, and fucked me without ever taking off the coat and then left immediately to hang out with Mick Jagger. Bowie liked my bedroom so much, he even brought Claudia Lennear and Jean Millington (the other sister from Fanny) there for sex on occasion. I didn’t participate, but I got off on how much he appreciated the setting.

Cherry narrating a commercial she produced for David Bowie's Diamond Dogs album in 1974

bottom of page